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January 20, 2010

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They should bring this move without 3D, everything doesn't have to be done the same way.Adding more high-quality scenes sounds like an excellent idea. Bravo!

http://vimeo.com/7761485
Expertly shot & edited. Done with so much insight & attention to detail that most women who see it can't believe it was created by a man.
http://www.imdb.com/name/nm0033811/
jeff, great job on your short.
> very clean. i am impressed
> peace
http://www.imdb.com/name/nm1843310/

Studios look at Avatar and see that it is approaching $1.7 billion so now they think that their movie will make near that if they put theirs in 3D as well. 2D movies that are switched to 3D aren't really better.

3D movies that are filmed with two lenses are ten times better than the computerized 2D to 3D films (with maybe the exception of animated movies).

The 2D to 3D conversions are kinda like making B&W movies into color except not as horrific. Here's a suggestion, shoot everything with those double lenses, then decide later to release it in 2D or 3D. You'll be future-proofing your movies.


Pixel pushing to convert the film to Stereoscopic-3D, within the short time span they have before release, will not likely produce satisfactory results.

I hear that Passmore's results for PIRANHA are far less than stellar. In-Three's conversion of the first ten-minutes of STAR WARS looked great -- but the project of converting the entire film took so long & cost so much more than anticipated that Lucas pulled it from them. And the converted-to-3D scenes in SUPERMAN RETURNS and the HARRY POTTER films were pretty awful, if not totally unnecessary.

Even the good job on G-FORCE displayed annoying tell-tale sighs of conversion.

Warner's will pay through the nose for this rush job (which will be far greater than $5 million, most likely) and it will be hardly worth the effort or believed increased BO.

I can just see the local digital houses farming most of this pixel-pushing to countless slave artists in Asia to get it done.

Shoot live action films "properly" in S-3D with dual-lensed camera rigs & a proper Stereo supervisor and save yourselves this kind of grief in post. Then, use conversions to fix those rare problem shots.

Frankly, having seen the trailer for this period remake (with its utterly incongruous rock-style musical underscore), I don't quite get why they anyone bothered.

If you want to deliver S-3D, do it right in the first place like Mr Cameron did. And don't forget that, even with the careful conservative approach he used in AVATAR, there were many people who *still* got headaches and would've preferred to have seen it in 2D instead.

AVATAR's success was more due to it being a good film than it being in S-3D.

CLASH doesn't look too good to me -- flat or even as a depthie.

The Medusa scene and the Kraken might be pretty sweet in 3D -- but I think that moving a 2D into a 3D film isn't really a selling point for those that weren't interested in the first place...

It makes me wonder, Bali Luxury. Either Warners thinks they have something good and want to amp it up a bit. Or, they realize they have a stinker on their hands and are trying to figure out what they can do to salvage their BO.

3D movies that are filmed with two lenses are ten times better than the computerized 2D to 3D films (with maybe the exception of animated movies).

Frankly, having seen the trailer for this period remake (with its utterly incongruous rock-style musical underscore), I don't quite get why they anyone bothered.

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  • Heat Vision sets its sights on what’s hot in the world of fanboy entertainment, from blockbuster films to the comic books that inspire them. Its author is Borys Kit of The Hollywood Reporter.



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